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Tag Archives: gold

For years, I’ve been fascinated by the squiggles the cucumber vine tendrils form in my garden. Simply put, I just think they are fun and once I began to focus my lens on all the different shapes, I then found them to be quite beautiful.

Now, I rarely do collages. However, in this instance, grouping of the various shapes came about as a natural progression. On their own, each squiggle appeared static, but as I began to put them together, the photos suddenly eruptedwith a sense of movement. 

“Bounce” (Abstract Collage/Cucumber Tendrils) Nikon D300, VR 105mm F/2.8G, F/4, 1/320s, -1.0EV, ISO 400, Built-in i-TTL Flash w/Gary Fong ‘Puffer’ Diffuser, -1.7EV, Color Efex Pro Bi-color Filter

In the first collage I see chaos, like the pent-up energy of a Wham-O Super Ball released inside a room. Your mind wonders if the boxes will be able to contain them or are they destined to explode outward and onward.

Then, as if in complete contradiction, the second collage emotes a sense of calm, like the gentle ebb & flow of the sea or, perhaps, a wisp of smoke as released from a cigar and illuminated by the flame of nearby smouldering fire.

What do yousee?

“Undulation” (Abstract Cucumber Tendrils) Nikon D300, VR 105mm F/2.8G, F/4, 1/320s, -1.0EV, Built-in i-TTL Flash w/Gary Fong ‘Puffer’ Diffuser, -1.3EV

If interested, all were shot in color, then converted to B&W with a bi-color filter added to accentuate the natural twists and turns. Enjoy! 🙂

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Ozzie

“Ozzie” (American Goldfinch, Male, Summer Plumage) Nikon D300, 650mm (200-400mm w/1.7x teleconverter), F/6.7, 1/80s, ISO 640

Whenever I’m out shooting with any of my larger lenses, I invariably end up photographing some of the birds as they make their way about the landscape, snacking on all the free food. Yes, it’s a pretty sweet deal for them. 🙂 

Early this season, we added a thistle feeder with the hope of attracting the goldfinches we’d seen sporting about (those bright yellow feathers are hard to miss!) It took awhile, but I’m happy to report that several families visit the feeder daily and they have gotten used to us so they are no longer spooked by the camera. With their stunning golden plumage, they are not only delightful to watch but always make for a nice subject. 

Harriet

“Harriet” (American Goldfinch, Female, Summer Plumage) Nikon D300, 650mm (200-400m w/1.8x teleconverter), F/6.7, 1/50s, ISO 640

I typically prefer to capture birds in a more natural setting (e.g., sitting on a branch or tucked into the trees), but sometimes, you take what you can get. 🙂

Since they habitually land on the curved part of the bracket that holds the feeder before making their way to an open perch, I naturally aimed my camera there. As usual, first to arrive was the male to scope out the situation before calling to the missus, who shortly followed suit. 

Recently, the black-capped chickadees discovered the wonders of the thistle feeder and have been giving the finches a run for their money! Fortunately, all seem to get along. It simply means the feeder gets emptied quicker!

Above the Curve

“Above the Curve” (Black-capped Chickadee) Nikon D300, 650mm (200-400mm w/1.7x teleconverter), F/6.7, 1/50s, ISO 640

This little chickadee seemed to be egging me on and with so much personality, I couldn’t resist!

Mr. Red

“Mr. Red” (Northern Cardinal, Male) Nikon D300, 650mm (200-400mm w/1.7x teleconverter), F/6.7, 1/200s, ISO

I didn’t even realize I had actually captured one shot of the male cardinal until I looked through the media card! Although I do like the natural setting here, it still isn’t quite THE image I’ve been striving for. 

In any event, the cardinal does seem rather pleased with himself, doesn’t he? I think he enjoys this game of tease and fly! And, I suppose, a part of me does as well because, what is the fun of the capture without the thrill of the chase? 🙂

When I am bored, I do crazy things like slap a 1.4x teleconverter on my 105mm macro lens so that I can get in really, really close. Yeah, I’m a wild woman. 🙂 

I honed in on all sorts of items today, from naturals like ice crystals and a dried sweet gum seed pod to the silly like Froot Loops cereal and the bristles of my electric toothbrush. It was all good fun, but nothing was yielding WOW.  

"Red Planet" (Sunlight Through Amber Marble) Nikon D300, 150mm (105mm F/2.8G Macro w/1.4x teleconverter), Manual Settings: F/25, 1/4s, -1.0EV, ISO 500

At some point I noticed this really old marble sitting on the window sill.  

Hmmm, I thought.  

I photographed the heck outta this marble! From all different angles and on different surfaces and backgrounds. Then, just as the sun began to set, its rays lit up the marble, illuminating the interior detail and sending a flare to the opposite side. Eureka

Outta this world, man. Outta this world. 🙂

Scott Thomas over at Views Infinitum has put forth his latest photo assignment, this time, the topic is ‘Interpretation of White.’

Now, being winter, the most obvious thing to do is to photograph snow. But, why would I do the obvious? 🙂

I didn’t intentionally go out and photograph a subject for this assignment, but while out shooting snowy landscapes, I came across a dried seed head of unknown origin and photographed it using manual aperture and shutter speed settings to intentionally produce an overexposure.

Winter White

“Winter White” (Unknown Seed Head) Nikon D300, 105mm F/2.8G Macro, F/5, 1/125s, ISO 640

Against the highly reflective snowy background the resulting image ended up being what is termed, ‘high key’.  A high key image generally means one that consists almost entirely of light tones with relatively few mid-tones or shadows.

In other words, a whole lotta white.

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